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Rudá "Dio d'Amore", Poema sinfonico e bailado: III. Os Incas album cover

ISRC

HKI199651307

Rudá "Dio d'Amore", Poema sinfonico e bailado: III. Os Incas

Song: Rudá: III. Os incas

Slovak Radio Symphony Orchestra (Bratislava)Roberto Duarte
Released 1996-07-01

Last verified:

HKI199651307 is the International Standard Recording Code (ISRC) for the recording “Rudá "Dio d'Amore", Poema sinfonico e bailado: III. Os Incas” by Slovak Radio Symphony Orchestra (Bratislava), Roberto Duarte, released 1996-07-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
96Year (1996)
51307Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1996):
Last two digits of the reference year (1996). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Rudá "Dio d'Amore", Poema sinfonico e bailado: III. Os Incas" by Slovak Radio Symphony Orchestra (Bratislava)?
The ISRC for "Rudá "Dio d'Amore", Poema sinfonico e bailado: III. Os Incas" by Slovak Radio Symphony Orchestra (Bratislava), Roberto Duarte is HKI199651307.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI199651307?

HKI199651307 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Rudá "Dio d'Amore", Poema sinfonico e bailado: III. Os Incas” by Slovak Radio Symphony Orchestra (Bratislava), Roberto Duarte. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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