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ISRC

HKI199819601

Symphony no. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell

Song: Symphony no. 4 in E-flat major, WAB 104 "Romantische": I. Bewegt, nicht zu schnell

Royal Scottish National OrchestraGeorg Tintner
Released 1999-01-19

Last verified:

HKI199819601 is the International Standard Recording Code (ISRC) for the recording "Symphony no. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell" by Royal Scottish National Orchestra, Georg Tintner, released 1999-01-19. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
98Year (1998)
19601Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1998):
Last two digits of the reference year (1998). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Symphony no. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell" by Royal Scottish National Orchestra?
The ISRC for "Symphony no. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell" by Royal Scottish National Orchestra, Georg Tintner is HKI199819601.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI199819601?

HKI199819601 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Symphony no. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell" by Royal Scottish National Orchestra, Georg Tintner. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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