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ISRC

HKI199935602

Grande Messe des morts: Introitus: Requiem aeternam. Grave

Gruppo Vocale CantemusOrchestra della Svizzera italianaDiego Fasolis
unmatchedNot yet matched in the MLC database
Released 2003-01-01

Last verified:

HKI199935602 is the International Standard Recording Code (ISRC) for the recording "Grande Messe des morts: Introitus: Requiem aeternam. Grave" by Gruppo Vocale Cantemus, Orchestra della Svizzera italiana, Diego Fasolis, released 2003-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
99Year (1999)
35602Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Grande Messe des morts: Introitus: Requiem aeternam. Grave" by Gruppo Vocale Cantemus?
The ISRC for "Grande Messe des morts: Introitus: Requiem aeternam. Grave" by Gruppo Vocale Cantemus, Orchestra della Svizzera italiana, Diego Fasolis is HKI199935602.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI199935602?

HKI199935602 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Grande Messe des morts: Introitus: Requiem aeternam. Grave" by Gruppo Vocale Cantemus, Orchestra della Svizzera italiana, Diego Fasolis. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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