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Suite no. 3, op. 19, no. 1: I. Prelude album cover

ISRC

HKI199938912

Suite no. 3, op. 19, no. 1: I. Prelude2

Song: SUITE NO. 3 OP. 19 'VISION'

Sara Trobäck HesselinkJohanna PerssonSwedish Chamber OrchestraPetter Sundkvist
unmatchedNot yet matched in the MLC database
Released 2000-04-10

Last verified:

HKI199938912 is the International Standard Recording Code (ISRC) for the recording “Suite no. 3, op. 19, no. 1: I. Prelude” by Sara Trobäck Hesselink, Johanna Persson, Swedish Chamber Orchestra, Petter Sundkvist, released 2000-04-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
99Year (1999)
38912Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Suite no. 3, op. 19, no. 1: I. Prelude" by Sara Trobäck Hesselink?
The ISRC for "Suite no. 3, op. 19, no. 1: I. Prelude" by Sara Trobäck Hesselink, Johanna Persson, Swedish Chamber Orchestra, Petter Sundkvist is HKI199938912.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI199938912?

HKI199938912 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Suite no. 3, op. 19, no. 1: I. Prelude” by Sara Trobäck Hesselink, Johanna Persson, Swedish Chamber Orchestra, Petter Sundkvist. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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