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St John Passion: No. 12 Recitativo: Simon Petrus aber folget album cover

ISRC

HUA250009403

St John Passion: No. 12 Recitativo: Simon Petrus aber folget

Song: Johannes-Passion, BWV 245: Teil I. No. 8 "Simon Petrus aber folgete Jesu nach" (Evangelista)

Liszt Ferenc Chamber OrchestraGyörgy Lehel
Released 1988-01-01

Last verified:

HUA250009403 is the International Standard Recording Code (ISRC) for the recording “St John Passion: No. 12 Recitativo: Simon Petrus aber folget” by Liszt Ferenc Chamber Orchestra, György Lehel, released 1988-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HUCountry
A25Registrant
00Year (2000)
09403Designation
Country:
ISO 3166-1 alpha-2 country code (HU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2000):
Last two digits of the reference year (2000). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "St John Passion: No. 12 Recitativo: Simon Petrus aber folget" by Liszt Ferenc Chamber Orchestra?
The ISRC for "St John Passion: No. 12 Recitativo: Simon Petrus aber folget" by Liszt Ferenc Chamber Orchestra, György Lehel is HUA250009403.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HUA250009403?

HUA250009403 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “St John Passion: No. 12 Recitativo: Simon Petrus aber folget” by Liszt Ferenc Chamber Orchestra, György Lehel. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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