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Aila Re Aila album cover

ISRC

INS181006843

Aila Re Aila

Song: AILA RE AILA

Daler MehndiKalpana Patowary
unmatchedNot yet matched in the MLC database
Released 2015-01-01

Last verified:

INS181006843 is the International Standard Recording Code (ISRC) for the recording "Aila Re Aila" by Daler Mehndi, Kalpana Patowary, released 2015-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

INCountry
S18Registrant
10Year (2010)
06843Designation
Country:
ISO 3166-1 alpha-2 country code (IN).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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MLC Song Code

A6726Z
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SourcesMusicBrainz

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People also ask

What is the ISRC for "Aila Re Aila" by Daler Mehndi?
The ISRC for "Aila Re Aila" by Daler Mehndi, Kalpana Patowary is INS181006843.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC INS181006843?

INS181006843 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Aila Re Aila" by Daler Mehndi, Kalpana Patowary. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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