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Mi manchi ancora album cover

ISRC

IT8009504740

Mi manchi ancora2

Song: MI MANCHI ANCORA

Matia Bazar
unmatchedNot yet matched in the MLC database
Released 1995-10-27

Last verified:

IT8009504740 is the International Standard Recording Code (ISRC) for the recording “Mi manchi ancora” by Matia Bazar, released 1995-10-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

ITCountry
800Registrant
95Year (1995)
04740Designation
Country:
ISO 3166-1 alpha-2 country code (IT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

ANTONELLA RUGGIEROComposer
SALVATORE STELLITAComposer
SERGIO COSSUComposer

MLC Song Code

M9862W
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Mi manchi ancora" by Matia Bazar?
The ISRC for "Mi manchi ancora" by Matia Bazar is IT8009504740.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC IT8009504740?

IT8009504740 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Mi manchi ancora” by Matia Bazar. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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