Fantasie und fugue ueber den Choral Ad nos, ad salutarem undam: I. Fantasie, Moderato, vivace, recitativo album cover

ISRC

ITK341016701

Fantasie und fugue ueber den Choral Ad nos, ad salutarem undam: I. Fantasie, Moderato, vivace, recitativo

Simone Pedroni

Last verified:

ITK341016701 is the International Standard Recording Code (ISRC) for the recording “Fantasie und fugue ueber den Choral Ad nos, ad salutarem undam: I. Fantasie, Moderato, vivace, recitativo by Simone Pedroni. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

ITCountry
K34Registrant
10Year (2010)
16701Designation
Country:
ISO 3166-1 alpha-2 country code (IT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Fantasie und fugue ueber den Choral Ad nos, ad salutarem undam: I. Fantasie, Moderato, vivace, recitativo" by Simone Pedroni?
The ISRC for "Fantasie und fugue ueber den Choral Ad nos, ad salutarem undam: I. Fantasie, Moderato, vivace, recitativo" by Simone Pedroni is ITK341016701.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ITK341016701?

ITK341016701 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Fantasie und fugue ueber den Choral Ad nos, ad salutarem undam: I. Fantasie, Moderato, vivace, recitativo by Simone Pedroni. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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