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ISRC

ITN321918199

Lo schiavo: Act II, Scene 6. “Un astro splendido”

Song: Lo schiavo: Atto II

Elisa BalboCoro del Teatro Lirico di CagliariOrchestra del Teatro Lirico di CagliariJohn Neschling
Released 2019-10-18

Last verified:

ITN321918199 is the International Standard Recording Code (ISRC) for the recording "Lo schiavo: Act II, Scene 6. “Un astro splendido”" by Elisa Balbo, Coro del Teatro Lirico di Cagliari, Orchestra del Teatro Lirico di Cagliari, John Neschling, released 2019-10-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

ITCountry
N32Registrant
19Year (2019)
18199Designation
Country:
ISO 3166-1 alpha-2 country code (IT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Lo schiavo: Act II, Scene 6. “Un astro splendido”" by Elisa Balbo?
The ISRC for "Lo schiavo: Act II, Scene 6. “Un astro splendido”" by Elisa Balbo, Coro del Teatro Lirico di Cagliari, Orchestra del Teatro Lirico di Cagliari, John Neschling is ITN321918199.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ITN321918199?

ITN321918199 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Lo schiavo: Act II, Scene 6. “Un astro splendido”" by Elisa Balbo, Coro del Teatro Lirico di Cagliari, Orchestra del Teatro Lirico di Cagliari, John Neschling. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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