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ISRC

ITX671020207

FAUST: LE VEAU D'OR EST TOUJOURS DEBOUT (MEPHISTOPHÉLÈS)

Song: FAUST, CG 4, ACT II (1864 VERSION): LE VEAU D'OR EST TOUJOURS DEBOUT!

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ITX671020207 is the International Standard Recording Code (ISRC) for the recording “FAUST: LE VEAU D'OR EST TOUJOURS DEBOUT (MEPHISTOPHÉLÈS)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CHARLES FRANCOIS GOUNOD.

Format

ITCountry
X67Registrant
10Year (2010)
20207Designation
Country:
ISO 3166-1 alpha-2 country code (IT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCFAUST: LE VEAU D'OR EST TOUJOURS DEBOUT (MEPHISTOPHÉLÈS)
IPICHARLES FRANCOIS GOUNOD

Related

Songwriter profiles

CHARLES FRANCOIS GOUNODIPI

People also ask

What is the ISRC for "FAUST: LE VEAU D'OR EST TOUJOURS DEBOUT (MEPHISTOPHÉLÈS)"?
The ISRC for "FAUST: LE VEAU D'OR EST TOUJOURS DEBOUT (MEPHISTOPHÉLÈS)" is ITX671020207.
Who wrote "FAUST: LE VEAU D'OR EST TOUJOURS DEBOUT (MEPHISTOPHÉLÈS)"?
"FAUST: LE VEAU D'OR EST TOUJOURS DEBOUT (MEPHISTOPHÉLÈS)" was written by CHARLES FRANCOIS GOUNOD.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ITX671020207?

ITX671020207 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “FAUST: LE VEAU D'OR EST TOUJOURS DEBOUT (MEPHISTOPHÉLÈS)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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