ISRC

ITX921001380

"""DER TANZ IN DER DORFSCHENKE, S514/R181, """"MEPHISTO WALTZ NO. 1"""""""

Song: ALLEGRO VIVACE

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ITX921001380 is the International Standard Recording Code (ISRC) for the recording “"""DER TANZ IN DER DORFSCHENKE, S514/R181, """"MEPHISTO WALTZ NO. 1""""""". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by AARON GADSON, FRANZ LISZT.

Format

ITCountry
X92Registrant
10Year (2010)
01380Designation
Country:
ISO 3166-1 alpha-2 country code (IT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC"""DER TANZ IN DER DORFSCHENKE, S514/R181, """"MEPHISTO WALTZ NO. 1"""""""

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People also ask

What is the ISRC for """"DER TANZ IN DER DORFSCHENKE, S514/R181, """"MEPHISTO WALTZ NO. 1""""""""?
The ISRC for """"DER TANZ IN DER DORFSCHENKE, S514/R181, """"MEPHISTO WALTZ NO. 1"""""""" is ITX921001380.
Who wrote """"DER TANZ IN DER DORFSCHENKE, S514/R181, """"MEPHISTO WALTZ NO. 1""""""""?
""""DER TANZ IN DER DORFSCHENKE, S514/R181, """"MEPHISTO WALTZ NO. 1"""""""" was written by AARON GADSON, FRANZ LISZT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ITX921001380?

ITX921001380 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “"""DER TANZ IN DER DORFSCHENKE, S514/R181, """"MEPHISTO WALTZ NO. 1""""""". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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