DANSE SACRÉE ET DANSE PROFANE, L. 103: NO. 2, DANSE PROFANE album cover

ISRC

ITX921002707

DANSE SACRÉE ET DANSE PROFANE, L. 103: NO. 2, DANSE PROFANE

Song: DANSE SACREE ET DANSE PROFANE

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ITX921002707 is the International Standard Recording Code (ISRC) for the recording "DANSE SACRÉE ET DANSE PROFANE, L. 103: NO. 2, DANSE PROFANE". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CLAUDE ACHILLE DEBUSSY, VENTURA ROSENTHAL.

Format

ITCountry
X92Registrant
10Year (2010)
02707Designation
Country:
ISO 3166-1 alpha-2 country code (IT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDANSE SACRÉE ET DANSE PROFANE, L. 103: NO. 2, DANSE PROFANE

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What is the ISRC for "DANSE SACRÉE ET DANSE PROFANE, L. 103: NO. 2, DANSE PROFANE"?
The ISRC for "DANSE SACRÉE ET DANSE PROFANE, L. 103: NO. 2, DANSE PROFANE" is ITX921002707.
Who wrote "DANSE SACRÉE ET DANSE PROFANE, L. 103: NO. 2, DANSE PROFANE"?
"DANSE SACRÉE ET DANSE PROFANE, L. 103: NO. 2, DANSE PROFANE" was written by CLAUDE ACHILLE DEBUSSY, VENTURA ROSENTHAL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ITX921002707?

ITX921002707 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "DANSE SACRÉE ET DANSE PROFANE, L. 103: NO. 2, DANSE PROFANE". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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