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NO. 2, AVEC ÉTONNEMENT album cover

ISRC

ITX921003247

NO. 2, AVEC ÉTONNEMENT

Song: GNOSSIENNE NO. 2

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ITX921003247 is the International Standard Recording Code (ISRC) for the recording “NO. 2, AVEC ÉTONNEMENT”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ERIK ALFREDI LESLIE SATIE (NON-PROTECTED SHARES), ANDREAS EINHORN, JOHANNES BUELD, and others.

Format

ITCountry
X92Registrant
10Year (2010)
03247Designation
Country:
ISO 3166-1 alpha-2 country code (IT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCNO. 2, AVEC ÉTONNEMENT
IPIERIK ALFREDI LESLIE SATIE (NON-PROTECTED SHARES)

Related

Songwriter profiles

ERIK ALFREDI LESLIE SATIE (NON-PROTECTED SHARES)IPIANDREAS EINHORNIPIJOHANNES BUELDIPIDPIPISEBASTIAN HARDERIPINILS KACIREKIPI

People also ask

What is the ISRC for "NO. 2, AVEC ÉTONNEMENT"?
The ISRC for "NO. 2, AVEC ÉTONNEMENT" is ITX921003247.
Who wrote "NO. 2, AVEC ÉTONNEMENT"?
"NO. 2, AVEC ÉTONNEMENT" was written by ERIK ALFREDI LESLIE SATIE (NON-PROTECTED SHARES), ANDREAS EINHORN, JOHANNES BUELD, DP, SEBASTIAN HARDER, NILS KACIREK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ITX921003247?

ITX921003247 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “NO. 2, AVEC ÉTONNEMENT”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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