ISRC

ITX971600130

I'M NOT CIVILISED - DERRICK FLAIR'S TEARS OF DEEP MIX

Song: I'M NOT CIVILISED (DEEPFELLAR PERCUSSION MIX)

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ITX971600130 is the International Standard Recording Code (ISRC) for the recording “I'M NOT CIVILISED - DERRICK FLAIR'S TEARS OF DEEP MIX. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JABULANI PRINCE MABOTJA, MOSEHLA PRINCE MOKGANYETJI, DIKELEDI LORETTA MASEKO, and others.

Format

ITCountry
X97Registrant
16Year (2016)
00130Designation
Country:
ISO 3166-1 alpha-2 country code (IT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI'M NOT CIVILISED - DERRICK FLAIR'S TEARS OF DEEP MIX

People also ask

What is the ISRC for "I'M NOT CIVILISED - DERRICK FLAIR'S TEARS OF DEEP MIX"?
The ISRC for "I'M NOT CIVILISED - DERRICK FLAIR'S TEARS OF DEEP MIX" is ITX971600130.
Who wrote "I'M NOT CIVILISED - DERRICK FLAIR'S TEARS OF DEEP MIX"?
"I'M NOT CIVILISED - DERRICK FLAIR'S TEARS OF DEEP MIX" was written by JABULANI PRINCE MABOTJA, MOSEHLA PRINCE MOKGANYETJI, DIKELEDI LORETTA MASEKO, MASEKO NKOSINATHI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ITX971600130?

ITX971600130 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I'M NOT CIVILISED - DERRICK FLAIR'S TEARS OF DEEP MIX. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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