HEART OF SWORD ~夜明け前~ (Beat Run Beat U-Mix) album cover

ISRC

JPA800000408

HEART OF SWORD ~夜明け前~ (Beat Run Beat U-Mix)2

Song: HEART OF SWORD

T.M.Revolution
matched
Released 2000-06-28

Last verified:

JPA800000408 is the International Standard Recording Code (ISRC) for the recording “HEART OF SWORD ~夜明け前~ (Beat Run Beat U-Mix) by T.M.Revolution, released 2000-06-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DAISUKE ASAKURA, AKIO INOUE.

Format

JPCountry
A80Registrant
00Year (2000)
00408Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2000):
Last two digits of the reference year (2000). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DAISUKE ASAKURAComposer
AKIO INOUEComposer
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "HEART OF SWORD ~夜明け前~ (Beat Run Beat U-Mix)" by T.M.Revolution?
The ISRC for "HEART OF SWORD ~夜明け前~ (Beat Run Beat U-Mix)" by T.M.Revolution is JPA800000408.
Who wrote "HEART OF SWORD ~夜明け前~ (Beat Run Beat U-Mix)"?
"HEART OF SWORD ~夜明け前~ (Beat Run Beat U-Mix)" was written by DAISUKE ASAKURA, AKIO INOUE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPA800000408?

JPA800000408 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “HEART OF SWORD ~夜明け前~ (Beat Run Beat U-Mix) by T.M.Revolution. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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