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君に逢いたくて album cover

ISRC

JPCR00409600

君に逢いたくて2

Song: KIMINI AITAKUTE

Gackt
unmatchedNot yet matched in the MLC database
Released 2004-10-27

Last verified:

JPCR00409600 is the International Standard Recording Code (ISRC) for the recording "君に逢いたくて" by Gackt, released 2004-10-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

JPCountry
CR0Registrant
04Year (2004)
09600Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

Want songwriter and ownership data?

This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.

SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "君に逢いたくて" by Gackt?
The ISRC for "君に逢いたくて" by Gackt is JPCR00409600.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPCR00409600?

JPCR00409600 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "君に逢いたくて" by Gackt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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