エカテリーナのための協奏曲 album cover

ISRC

JPES00602124

エカテリーナのための協奏曲2

Song: CONCERTO FOR CATHERINE

松下奈緒
matched
Released 2016-12-07

Last verified:

JPES00602124 is the International Standard Recording Code (ISRC) for the recording “エカテリーナのための協奏曲 by 松下奈緒, released 2016-12-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SUGURU MATSUTANI.

Format

JPCountry
ES0Registrant
06Year (2006)
02124Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

SUGURU MATSUTANIComposer
NIPPON TELEVISION MUSIC CORP. OriginalPublisherIPI: 00042012247
UNIVERSAL MUSIC-MGB SONGS RightsAdministratorIPI: 00538724724

Who publishes this song?

NIPPON TELEVISION MUSIC CORP.OriginalPublisher
IPI: 00042012247
UNIVERSAL MUSIC-MGB SONGSRightsAdministrator
IPI: 00538724724

Credits Graph

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "エカテリーナのための協奏曲" by 松下奈緒?
The ISRC for "エカテリーナのための協奏曲" by 松下奈緒 is JPES00602124.
Who wrote "エカテリーナのための協奏曲"?
"エカテリーナのための協奏曲" was written by SUGURU MATSUTANI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPES00602124?

JPES00602124 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “エカテリーナのための協奏曲 by 松下奈緒. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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