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ISRC

JPFH09502450

ズンドコ伝説:ドリフの全員集合のテーマ〜ドリフのズンドコ節〜ドリフのほんとにほんとにご苦労さん〜誰かさんと誰かさん〜ミヨちゃん〜ドリフのツンツン節〜タブー(TABOO)〜のってる音頭〜はじめての僕デス〜ドリフのバイのバイのバイ〜ドリフのビバノン音頭

ザ・ドリフターズ
Released 2000-11-16

Last verified:

JPFH09502450 is the International Standard Recording Code (ISRC) for the recording "ズンドコ伝説:ドリフの全員集合のテーマ〜ドリフのズンドコ節〜ドリフのほんとにほんとにご苦労さん〜誰かさんと誰かさん〜ミヨちゃん〜ドリフのツンツン節〜タブー(TABOO)〜のってる音頭〜はじめての僕デス〜ドリフのバイのバイのバイ〜ドリフのビバノン音頭" by ザ・ドリフターズ, released 2000-11-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

JPCountry
FH0Registrant
95Year (1995)
02450Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "ズンドコ伝説:ドリフの全員集合のテーマ〜ドリフのズンドコ節〜ドリフのほんとにほんとにご苦労さん〜誰かさんと誰かさん〜ミヨちゃん〜ドリフのツンツン節〜タブー(TABOO)〜のってる音頭〜はじめての僕デス〜ドリフのバイのバイのバイ〜ドリフのビバノン音頭" by ザ・ドリフターズ?
The ISRC for "ズンドコ伝説:ドリフの全員集合のテーマ〜ドリフのズンドコ節〜ドリフのほんとにほんとにご苦労さん〜誰かさんと誰かさん〜ミヨちゃん〜ドリフのツンツン節〜タブー(TABOO)〜のってる音頭〜はじめての僕デス〜ドリフのバイのバイのバイ〜ドリフのビバノン音頭" by ザ・ドリフターズ is JPFH09502450.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPFH09502450?

JPFH09502450 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "ズンドコ伝説:ドリフの全員集合のテーマ〜ドリフのズンドコ節〜ドリフのほんとにほんとにご苦労さん〜誰かさんと誰かさん〜ミヨちゃん〜ドリフのツンツン節〜タブー(TABOO)〜のってる音頭〜はじめての僕デス〜ドリフのバイのバイのバイ〜ドリフのビバノン音頭" by ザ・ドリフターズ. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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