The Well-Tempered Clavier, Book I: No. 10 in E minor, BWV 855: Prelude album cover

ISRC

JPG201014000

The Well-Tempered Clavier, Book I: No. 10 in E minor, BWV 855: Prelude2

Song: WELL-TEMPERED CLAVIER, BOOK 1 - PRELUDE NO. 3

Abdel Rahman El Bacha
unmatchedNot yet matched in the MLC database
Released 2011-01-01

Last verified:

JPG201014000 is the International Standard Recording Code (ISRC) for the recording “The Well-Tempered Clavier, Book I: No. 10 in E minor, BWV 855: Prelude by Abdel Rahman El Bacha, released 2011-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

JPCountry
G20Registrant
10Year (2010)
14000Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "The Well-Tempered Clavier, Book I: No. 10 in E minor, BWV 855: Prelude" by Abdel Rahman El Bacha?
The ISRC for "The Well-Tempered Clavier, Book I: No. 10 in E minor, BWV 855: Prelude" by Abdel Rahman El Bacha is JPG201014000.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPG201014000?

JPG201014000 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The Well-Tempered Clavier, Book I: No. 10 in E minor, BWV 855: Prelude by Abdel Rahman El Bacha. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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