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Dirty Feeling album cover

ISRC

JPP301900430

Dirty Feeling

Song: DIRTY FEELING

No Buses
matched
Released 2019-09-11

Last verified:

JPP301900430 is the International Standard Recording Code (ISRC) for the recording "Dirty Feeling" by No Buses, released 2019-09-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TAISEI KONDO.

Format

JPCountry
P30Registrant
19Year (2019)
00430Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

TAISEI KONDOComposerLyricist
SONY MUSIC PUBLISHING (JAPAN) INC OriginalPublisher0.00%IPI: 00175421868
SONY/ATV TUNES LLC SubPublisher100.00%IPI: 00338164558

Who publishes this song?

SONY MUSIC PUBLISHING (JAPAN) INCOriginalPublisher
IPI: 00175421868
SONY/ATV TUNES LLCSubPublisher
IPI: 00338164558

MLC Song Code

DB2Q4W
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Dirty Feeling" by No Buses?
The ISRC for "Dirty Feeling" by No Buses is JPP301900430.
Who wrote "Dirty Feeling"?
"Dirty Feeling" was written by TAISEI KONDO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPP301900430?

JPP301900430 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Dirty Feeling" by No Buses. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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