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抱きしめたい album cover

ISRC

JPPO01623449

抱きしめたい2

Song: DAKISHIMETAI

The Birthday
matched
Released 2017-03-15

Last verified:

JPPO01623449 is the International Standard Recording Code (ISRC) for the recording “抱きしめたい” by The Birthday, released 2017-03-15. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BIRTHDAY THE, YUUSUKE CHIBA.

Format

JPCountry
PO0Registrant
16Year (2016)
23449Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

BIRTHDAY THEComposerLyricist
JASRAC OriginalPublisher
MUSERK JASRAC OriginalPublisher
YUUSUKE CHIBAComposerLyricist
JASRAC OriginalPublisher
MUSERK JASRAC OriginalPublisher

Who publishes this song?

JASRACOriginalPublisher
MUSERK JASRACOriginalPublisher

Credits Graph

MLC Song Code

DA7O7S
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "抱きしめたい" by The Birthday?
The ISRC for "抱きしめたい" by The Birthday is JPPO01623449.
Who wrote "抱きしめたい"?
"抱きしめたい" was written by BIRTHDAY THE, YUUSUKE CHIBA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPPO01623449?

JPPO01623449 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “抱きしめたい” by The Birthday. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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