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８月３１日の行方 album cover

ISRC

JPU902001879

８月３１日の行方2

Song: 8 GATSU 31 NICHINO YUKUE

フレンズ
matched
Released 2021-08-04

Last verified:

JPU902001879 is the International Standard Recording Code (ISRC) for the recording “８月３１日の行方” by フレンズ, released 2021-08-04. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NARUHITO HIROSE (PKA HIROSEHIROSE).

Format

JPCountry
U90Registrant
20Year (2020)
01879Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

NARUHITO HIROSE (PKA HIROSEHIROSE)Composer
SONY MUSIC PUBLISHING (JAPAN) INC OriginalPublisherIPI: 00175421868
SONY/ATV TUNES LLC SubPublisherIPI: 00338164558

Who publishes this song?

SONY MUSIC PUBLISHING (JAPAN) INCOriginalPublisher
IPI: 00175421868
SONY/ATV TUNES LLCSubPublisher
IPI: 00338164558

Credits Graph

MLC Song Code

8A3K95
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "８月３１日の行方" by フレンズ?
The ISRC for "８月３１日の行方" by フレンズ is JPU902001879.
Who wrote "８月３１日の行方"?
"８月３１日の行方" was written by NARUHITO HIROSE (PKA HIROSEHIROSE).
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPU902001879?

JPU902001879 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “８月３１日の行方” by フレンズ. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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