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Subete no Hito no Tamashii no Tatakai (P3R ver.) (Live at KT Zepp Yokohama 2024.6.8 Yoru Koen) album cover

ISRC

JPVI02500647

Subete no Hito no Tamashii no Tatakai (P3R ver.) (Live at KT Zepp Yokohama 2024.6.8 Yoru Koen)

ATLUS Sound Team

Last verified:

JPVI02500647 is the International Standard Recording Code (ISRC) for the recording “Subete no Hito no Tamashii no Tatakai (P3R ver.) (Live at KT Zepp Yokohama 2024.6.8 Yoru Koen)” by ATLUS Sound Team. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

JPCountry
VI0Registrant
25Year (2025)
00647Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Subete no Hito no Tamashii no Tatakai (P3R ver.) (Live at KT Zepp Yokohama 2024.6.8 Yoru Koen)" by ATLUS Sound Team?
The ISRC for "Subete no Hito no Tamashii no Tatakai (P3R ver.) (Live at KT Zepp Yokohama 2024.6.8 Yoru Koen)" by ATLUS Sound Team is JPVI02500647.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPVI02500647?

JPVI02500647 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Subete no Hito no Tamashii no Tatakai (P3R ver.) (Live at KT Zepp Yokohama 2024.6.8 Yoru Koen)” by ATLUS Sound Team. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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