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ISRC

JPX402200047

それを人は“青春”と呼んだ

長瀬琴乃橘美來川咲さくら菅野真衣天動瑠依雨宮天神崎莉央戸松遥
unmatchedNot yet matched in the MLC database
Released 2022-06-23

Last verified:

JPX402200047 is the International Standard Recording Code (ISRC) for the recording "それを人は“青春”と呼んだ" by 長瀬琴乃, 橘美來, 川咲さくら, 菅野真衣, 天動瑠依, 雨宮天, 神崎莉央, 戸松遥, released 2022-06-23. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

JPCountry
X40Registrant
22Year (2022)
00047Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "それを人は“青春”と呼んだ" by 長瀬琴乃?
The ISRC for "それを人は“青春”と呼んだ" by 長瀬琴乃, 橘美來, 川咲さくら, 菅野真衣, 天動瑠依, 雨宮天, 神崎莉央, 戸松遥 is JPX402200047.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPX402200047?

JPX402200047 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "それを人は“青春”と呼んだ" by 長瀬琴乃, 橘美來, 川咲さくら, 菅野真衣, 天動瑠依, 雨宮天, 神崎莉央, 戸松遥. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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