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ISRC

KRA301500067

Introducing the Candy2

Song: INTRODUCING THE CANDY

Lovelyz
matched
Released 2014-11-17

Last verified:

KRA301500067 is the International Standard Recording Code (ISRC) for the recording “Introducing the Candy” by Lovelyz, released 2014-11-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SUNG JIN PARK.

Format

KRCountry
A30Registrant
15Year (2015)
00067Designation
Country:
ISO 3166-1 alpha-2 country code (KR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

SUNG JIN PARKComposer
SONY/ATV MUSIC PUBLISHING KOREA OriginalPublisherIPI: 00285100389
SONY/ATV TUNES LLC RightsAdministratorIPI: 00338164558

Who publishes this song?

SONY/ATV MUSIC PUBLISHING KOREAOriginalPublisher
IPI: 00285100389
SONY/ATV TUNES LLCRightsAdministrator
IPI: 00338164558
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Introducing the Candy" by Lovelyz?
The ISRC for "Introducing the Candy" by Lovelyz is KRA301500067.
Who wrote "Introducing the Candy"?
"Introducing the Candy" was written by SUNG JIN PARK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC KRA301500067?

KRA301500067 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Introducing the Candy” by Lovelyz. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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