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안녕, 여름 (Parade) album cover

ISRC

KRA301900261

안녕, 여름 (Parade)2

Song: PARADE

Red Velvet
matched
Released 2019-06-19

Last verified:

KRA301900261 is the International Standard Recording Code (ISRC) for the recording “안녕, 여름 (Parade)” by Red Velvet, released 2019-06-19. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JAE, SHAUN.

Format

KRCountry
A30Registrant
19Year (2019)
00261Designation
Country:
ISO 3166-1 alpha-2 country code (KR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JAEComposer
SHAUNComposer
SONY/ATV MUSIC PUBLISHING KOREA OriginalPublisherIPI: 00285100389
SONY/ATV TUNES LLC SubPublisherIPI: 00338164558

Who publishes this song?

SONY/ATV MUSIC PUBLISHING KOREAOriginalPublisher
IPI: 00285100389
SONY/ATV TUNES LLCSubPublisher
IPI: 00338164558

MLC Song Code

PA3MF8
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "안녕, 여름 (Parade)" by Red Velvet?
The ISRC for "안녕, 여름 (Parade)" by Red Velvet is KRA301900261.
Who wrote "안녕, 여름 (Parade)"?
"안녕, 여름 (Parade)" was written by JAE, SHAUN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC KRA301900261?

KRA301900261 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “안녕, 여름 (Parade)” by Red Velvet. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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