HERE ALWAYS (SEUNGMIN OF STRAY KIDS) album cover

ISRC

KRA492101041

HERE ALWAYS (SEUNGMIN OF STRAY KIDS)

Song: HERE ALWAYS

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KRA492101041 is the International Standard Recording Code (ISRC) for the recording "HERE ALWAYS (SEUNGMIN OF STRAY KIDS)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GU HYUN JUNG.

Format

KRCountry
A49Registrant
21Year (2021)
01041Designation
Country:
ISO 3166-1 alpha-2 country code (KR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

GU HYUN JUNGComposerLyricist
SONY/ATV MUSIC PUBLISHING KOREA OriginalPublisher0.00%IPI: 00285100389
SONY/ATV TUNES LLC SubPublisher100.00%IPI: 00338164558

Who publishes this song?

SONY/ATV MUSIC PUBLISHING KOREAOriginalPublisher
IPI: 00285100389
SONY/ATV TUNES LLCSubPublisher
IPI: 00338164558

MLC Song Code

SourcesMLCMusicBrainz2 sources

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People also ask

What is the ISRC for "HERE ALWAYS (SEUNGMIN OF STRAY KIDS)"?
The ISRC for "HERE ALWAYS (SEUNGMIN OF STRAY KIDS)" is KRA492101041.
Who wrote "HERE ALWAYS (SEUNGMIN OF STRAY KIDS)"?
"HERE ALWAYS (SEUNGMIN OF STRAY KIDS)" was written by GU HYUN JUNG.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC KRA492101041?

KRA492101041 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "HERE ALWAYS (SEUNGMIN OF STRAY KIDS)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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