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ESTA NOCHE ES PARA AMAR album cover

ISRC

MXUM71502414

ESTA NOCHE ES PARA AMAR

LUIS FONSILUIS FONSI/LA BANDONONONA CLAVE NUEVA DE MAX PERAZA
unmatchedNot yet matched in the MLC database
Released 2016-01-01

Last verified:

MXUM71502414 is the International Standard Recording Code (ISRC) for the recording "ESTA NOCHE ES PARA AMAR" by LUIS FONSI, LUIS FONSI/LA BANDONONONA CLAVE NUEVA DE MAX PERAZA, released 2016-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ELTON JOHN, TIMOTHY MILES BINDON RICE.

Format

MXCountry
UM7Registrant
15Year (2015)
02414Designation
Country:
ISO 3166-1 alpha-2 country code (MX).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCESTA NOCHE ES PARA AMAR
IPIELTON JOHN

People also ask

What is the ISRC for "ESTA NOCHE ES PARA AMAR" by LUIS FONSI?
The ISRC for "ESTA NOCHE ES PARA AMAR" by LUIS FONSI, LUIS FONSI/LA BANDONONONA CLAVE NUEVA DE MAX PERAZA is MXUM71502414.
Who wrote "ESTA NOCHE ES PARA AMAR"?
"ESTA NOCHE ES PARA AMAR" was written by ELTON JOHN, TIMOTHY MILES BINDON RICE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC MXUM71502414?

MXUM71502414 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "ESTA NOCHE ES PARA AMAR" by LUIS FONSI, LUIS FONSI/LA BANDONONONA CLAVE NUEVA DE MAX PERAZA. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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