Out of My Mind (extended mix) album cover

ISRC

NL1ZN2201300

Out of My Mind (extended mix)2

Song: OUT OF MY MIND

StadiumxSHELLS
matched
Released 2022-03-11

Last verified:

NL1ZN2201300 is the International Standard Recording Code (ISRC) for the recording “Out of My Mind (extended mix)” by Stadiumx, SHELLS, released 2022-03-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOSHUA MICHAEL WILKINSON, SARAH LILLIE SHELDRAKE, NEAVE APPLEBAUM, and others.

Format

NLCountry
1ZNRegistrant
22Year (2022)
01300Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCOut of My Mind (extended mix)

People also ask

What is the ISRC for "Out of My Mind (extended mix)" by Stadiumx?
The ISRC for "Out of My Mind (extended mix)" by Stadiumx, SHELLS is NL1ZN2201300.
Who wrote "Out of My Mind (extended mix)"?
"Out of My Mind (extended mix)" was written by JOSHUA MICHAEL WILKINSON, SARAH LILLIE SHELDRAKE, NEAVE APPLEBAUM, MOA PETTERSSON HAMMAR, DAVID NAGY, ZSOLT MILICHOVZSKI, NEAVE APPLEBUM, SHELLS, ZSOLT MILICHOVSZKI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NL1ZN2201300?

NL1ZN2201300 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Out of My Mind (extended mix)” by Stadiumx, SHELLS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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