Reality album cover

ISRC

NL5UG2200023

Reality2

Song: REALITY

9BLADEAnxious
unmatchedNot yet matched in the MLC database
Released 2022-03-25

Last verified:

NL5UG2200023 is the International Standard Recording Code (ISRC) for the recording “Reality by 9BLADE, Anxious, released 2022-03-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GAMALIEL MENDIA, NICHOLAS BRYANT TONG.

Format

NLCountry
5UGRegistrant
22Year (2022)
00023Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

GAMALIEL MENDIAComposerLyricist
TPM PUBLISHING B.V. OriginalPublisherIPI: 00865468197
NICHOLAS BRYANT TONGComposerLyricist
TPM PUBLISHING B.V. OriginalPublisherIPI: 00865468197

Who publishes this song?

TPM PUBLISHING B.V.OriginalPublisher
IPI: 00865468197
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Reality" by 9BLADE?
The ISRC for "Reality" by 9BLADE, Anxious is NL5UG2200023.
Who wrote "Reality"?
"Reality" was written by GAMALIEL MENDIA, NICHOLAS BRYANT TONG.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NL5UG2200023?

NL5UG2200023 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Reality by 9BLADE, Anxious. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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