ISRC

NL8RL2434894

I DON’T KNOW WHAT WE’RE TALKING ABOUT (AND I HAVEN’T FOR A WHILE)

Song: I DON'T KNOW WHAT WE'RE TALKING ABOUT

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NL8RL2434894 is the International Standard Recording Code (ISRC) for the recording “I DON’T KNOW WHAT WE’RE TALKING ABOUT (AND I HAVEN’T FOR A WHILE). ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JAMES WESLEY ROACH, LEIGH DANIEL AVIDAN, BRIAN ALEXANDER WECHT.

Format

NLCountry
8RLRegistrant
24Year (2024)
34894Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI DON’T KNOW WHAT WE’RE TALKING ABOUT (AND I HAVEN’T FOR A WHILE)

People also ask

What is the ISRC for "I DON’T KNOW WHAT WE’RE TALKING ABOUT (AND I HAVEN’T FOR A WHILE)"?
The ISRC for "I DON’T KNOW WHAT WE’RE TALKING ABOUT (AND I HAVEN’T FOR A WHILE)" is NL8RL2434894.
Who wrote "I DON’T KNOW WHAT WE’RE TALKING ABOUT (AND I HAVEN’T FOR A WHILE)"?
"I DON’T KNOW WHAT WE’RE TALKING ABOUT (AND I HAVEN’T FOR A WHILE)" was written by JAMES WESLEY ROACH, LEIGH DANIEL AVIDAN, BRIAN ALEXANDER WECHT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NL8RL2434894?

NL8RL2434894 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I DON’T KNOW WHAT WE’RE TALKING ABOUT (AND I HAVEN’T FOR A WHILE). ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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