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ALL HOPE IS GONE album cover

ISRC

NLA320887001

ALL HOPE IS GONE

Song: SULFUR

SLIPKNOT
matched
Released 2008-01-01

Last verified:

NLA320887001 is the International Standard Recording Code (ISRC) for the recording "ALL HOPE IS GONE" by SLIPKNOT, released 2008-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JAMES ROOT, MICHAEL SHAWN CRAHAN, JOEY JORDISON, and others.

Format

NLCountry
A32Registrant
08Year (2008)
87001Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCALL HOPE IS GONE
IPIJAMES ROOT

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Songwriter profiles

JAMES ROOTIPIMICHAEL SHAWN CRAHANIPIJOEY JORDISONIPISIDNEY WILSONIPICRAIG JONESIPICOREY TAYLORIPICHRIS FEHNIPIMICKAEL THOMSONIPIPAUL D GRAYIPI

People also ask

What is the ISRC for "ALL HOPE IS GONE" by SLIPKNOT?
The ISRC for "ALL HOPE IS GONE" by SLIPKNOT is NLA320887001.
Who wrote "ALL HOPE IS GONE"?
"ALL HOPE IS GONE" was written by JAMES ROOT, MICHAEL SHAWN CRAHAN, JOEY JORDISON, SIDNEY WILSON, CRAIG JONES, COREY TAYLOR, CHRIS FEHN, MICKAEL THOMSON, PAUL D GRAY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA320887001?

NLA320887001 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "ALL HOPE IS GONE" by SLIPKNOT. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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