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ISRC

NLA460915664

Cantata “Ich bin in mir vergnügt”, BWV 204: V. Aria. Meine seele sei vergnügt

Song: Kantate, BWV 204 "Ich bin in mir vergnügt": VI. Aria (Sopran) "Meine Seele sei vergnügt"

Rowan PierceFlorilegiumAshley Solomon
Released 2025-08-28

Last verified:

NLA460915664 is the International Standard Recording Code (ISRC) for the recording "Cantata “Ich bin in mir vergnügt”, BWV 204: V. Aria. Meine seele sei vergnügt" by Rowan Pierce, Florilegium, Ashley Solomon, released 2025-08-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A46Registrant
09Year (2009)
15664Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Cantata “Ich bin in mir vergnügt”, BWV 204: V. Aria. Meine seele sei vergnügt" by Rowan Pierce?
The ISRC for "Cantata “Ich bin in mir vergnügt”, BWV 204: V. Aria. Meine seele sei vergnügt" by Rowan Pierce, Florilegium, Ashley Solomon is NLA460915664.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA460915664?

NLA460915664 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Cantata “Ich bin in mir vergnügt”, BWV 204: V. Aria. Meine seele sei vergnügt" by Rowan Pierce, Florilegium, Ashley Solomon. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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