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BIZET: CARMEN SUITE NO.2 - DANSE BOHÈME album cover

ISRC

NLA505900669

BIZET: CARMEN SUITE NO.2 - DANSE BOHÈME

Song: DANSE BOHEME (FROM 'CARMEN')

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NLA505900669 is the International Standard Recording Code (ISRC) for the recording “BIZET: CARMEN SUITE NO.2 - DANSE BOHÈME”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by B. PYE.

Format

NLCountry
A50Registrant
59Year (1959)
00669Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1959):
Last two digits of the reference year (1959). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

B. PYEComposer
MOLIQUE MUSIC OriginalPublisher0.00%IPI: 00228056478
BMG PLATINUM SONGS RightsAdministrator100.00%IPI: 00595808890

Who publishes this song?

MOLIQUE MUSICOriginalPublisher
IPI: 00228056478
BMG PLATINUM SONGSRightsAdministrator
IPI: 00595808890
SourcesMLC

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People also ask

What is the ISRC for "BIZET: CARMEN SUITE NO.2 - DANSE BOHÈME"?
The ISRC for "BIZET: CARMEN SUITE NO.2 - DANSE BOHÈME" is NLA505900669.
Who wrote "BIZET: CARMEN SUITE NO.2 - DANSE BOHÈME"?
"BIZET: CARMEN SUITE NO.2 - DANSE BOHÈME" was written by B. PYE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA505900669?

NLA505900669 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “BIZET: CARMEN SUITE NO.2 - DANSE BOHÈME”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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