ISRC
Messiah: Part II, No. 25 Accompagnato "All they that see Him"2
Song: PUBLIC DOMAIN TRACK
Last verified:
NLA506600114 is the International Standard Recording Code (ISRC) for the recording “Messiah: Part II, No. 25 Accompagnato "All they that see Him"” by John Wakefield, London Symphony Orchestra, Sir Colin Davis, released 1993-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Unmatched Recording
This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
MLC Song Code
NLA506600114 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Messiah: Part II, No. 25 Accompagnato "All they that see Him"” by John Wakefield, London Symphony Orchestra, Sir Colin Davis. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
London Symphony Orchestra, Chorus, Antal Dorati
NLA505601036Andrew Playfoot, Whitney Claire Kaufman, London Symphony Orchestra, Richard Kaufman
GBDGQ1122016Whitney Claire Kaufman, London Symphony Orchestra, Richard Kaufman
GBDGQ1122011NLA506600114 is the International Standard Recording Code (ISRC) for the recording “Messiah: Part II, No. 25 Accompagnato "All they that see Him"” by John Wakefield, London Symphony Orchestra, Sir Colin Davis, released 1993-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
