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ISRC

NLA506700593

Johannes-Passion, BWV 245, Part Two: XL. "Ach Herr, laß dein lieb Engelein"

Song: Johannes-Passion, BWV 245: Teil II. No. 40 Choral "Ach Herr, laß dein lieb Engelein"

Koninklijk ConcertgebouworkestEugen Jochum
Released 1998-03-06

Last verified:

NLA506700593 is the International Standard Recording Code (ISRC) for the recording "Johannes-Passion, BWV 245, Part Two: XL. "Ach Herr, laß dein lieb Engelein"" by Koninklijk Concertgebouworkest, Eugen Jochum, released 1998-03-06. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
67Year (1967)
00593Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1967):
Last two digits of the reference year (1967). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Johannes-Passion, BWV 245, Part Two: XL. "Ach Herr, laß dein lieb Engelein"" by Koninklijk Concertgebouworkest?
The ISRC for "Johannes-Passion, BWV 245, Part Two: XL. "Ach Herr, laß dein lieb Engelein"" by Koninklijk Concertgebouworkest, Eugen Jochum is NLA506700593.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA506700593?

NLA506700593 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Johannes-Passion, BWV 245, Part Two: XL. "Ach Herr, laß dein lieb Engelein"" by Koninklijk Concertgebouworkest, Eugen Jochum. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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