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33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVI album cover

ISRC

NLA506800501

33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVI

Song: 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVI. Piacevole

Stephen Kovacevich
Released 1974-01-01

Last verified:

NLA506800501 is the International Standard Recording Code (ISRC) for the recording "33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVI" by Stephen Kovacevich, released 1974-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
68Year (1968)
00501Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1968):
Last two digits of the reference year (1968). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVI" by Stephen Kovacevich?
The ISRC for "33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVI" by Stephen Kovacevich is NLA506800501.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA506800501?

NLA506800501 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "33 Piano Variations in C, op. 120 on a Waltz by Anton Diabelli: Variation XXVI" by Stephen Kovacevich. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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