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ISRC

NLA506800567

Los improperios: VIII. Crucem tuam adoramus, Domine

Peter Christoph RungeOrquesta SinfónicaCoros de la RTV EspañolaAlberto BlancafortIgor Markevitch
Released 2021-08-27

Last verified:

NLA506800567 is the International Standard Recording Code (ISRC) for the recording "Los improperios: VIII. Crucem tuam adoramus, Domine" by Peter Christoph Runge, Orquesta Sinfónica, Coros de la RTV Española, Alberto Blancafort, Igor Markevitch, released 2021-08-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
68Year (1968)
00567Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1968):
Last two digits of the reference year (1968). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Los improperios: VIII. Crucem tuam adoramus, Domine" by Peter Christoph Runge?
The ISRC for "Los improperios: VIII. Crucem tuam adoramus, Domine" by Peter Christoph Runge, Orquesta Sinfónica, Coros de la RTV Española, Alberto Blancafort, Igor Markevitch is NLA506800567.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA506800567?

NLA506800567 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Los improperios: VIII. Crucem tuam adoramus, Domine" by Peter Christoph Runge, Orquesta Sinfónica, Coros de la RTV Española, Alberto Blancafort, Igor Markevitch. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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