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ISRC

NLA507301029

«Se lontan, ben mio, tu sei», KV 438

Song: Notturno for 2 Sopranos, Bass, 2 Clarinets & Basset Horn in E-flat major, K. 438: "Se lontan, ben mio, tu sei"

Elly AmelingElisabeth CooymansPeter van der BiltMembers of the Netherlands Wind Ensemble
Released 1991-01-01

Last verified:

NLA507301029 is the International Standard Recording Code (ISRC) for the recording "«Se lontan, ben mio, tu sei», KV 438" by Elly Ameling, Elisabeth Cooymans, Peter van der Bilt, Members of the Netherlands Wind Ensemble, released 1991-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
73Year (1973)
01029Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1973):
Last two digits of the reference year (1973). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "«Se lontan, ben mio, tu sei», KV 438" by Elly Ameling?
The ISRC for "«Se lontan, ben mio, tu sei», KV 438" by Elly Ameling, Elisabeth Cooymans, Peter van der Bilt, Members of the Netherlands Wind Ensemble is NLA507301029.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA507301029?

NLA507301029 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "«Se lontan, ben mio, tu sei», KV 438" by Elly Ameling, Elisabeth Cooymans, Peter van der Bilt, Members of the Netherlands Wind Ensemble. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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