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Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde album cover

ISRC

NLA507400588

Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde

Song: PUBLIC DOMAIN TRACK

James KingRoyal Concertgebouw OrchestraBernard Haitink
unmatchedNot yet matched in the MLC database
Released 1975-01-01

Last verified:

NLA507400588 is the International Standard Recording Code (ISRC) for the recording "Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde" by James King, Royal Concertgebouw Orchestra, Bernard Haitink, released 1975-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
74Year (1974)
00588Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1974):
Last two digits of the reference year (1974). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde" by James King?
The ISRC for "Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde" by James King, Royal Concertgebouw Orchestra, Bernard Haitink is NLA507400588.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA507400588?

NLA507400588 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde" by James King, Royal Concertgebouw Orchestra, Bernard Haitink. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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