Otello, Akt III: "Non arrestare il colpo" album cover

ISRC

NLA507623134

Otello, Akt III: "Non arrestare il colpo"

Song: Otello: Atto III. Duetto: “Non arrestar il colpo …” (Desdemona, Otello)

José CarrerasFrederica von StadePhilharmonia OrchestraJesús López Cobos
Released 2010-10-09

Last verified:

NLA507623134 is the International Standard Recording Code (ISRC) for the recording “Otello, Akt III: "Non arrestare il colpo" by José Carreras, Frederica von Stade, Philharmonia Orchestra, Jesús López Cobos, released 2010-10-09. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
76Year (1976)
23134Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1976):
Last two digits of the reference year (1976). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Otello, Akt III: "Non arrestare il colpo"" by José Carreras?
The ISRC for "Otello, Akt III: "Non arrestare il colpo"" by José Carreras, Frederica von Stade, Philharmonia Orchestra, Jesús López Cobos is NLA507623134.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA507623134?

NLA507623134 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Otello, Akt III: "Non arrestare il colpo" by José Carreras, Frederica von Stade, Philharmonia Orchestra, Jesús López Cobos. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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