ISRC
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..."
Song: Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
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NLA508003107 is the International Standard Recording Code (ISRC) for the recording “Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..."” by Judith Blegen, Boston Boys Choir, Gwynne Howell, Benjamin Luxon, Lorna Myers, Florence Quivar, Kenneth Riegel, Faye Robinson, Tanglewood Festival Chorus, James Christie, Boston Symphony Orchestra, Seiji Ozawa, released 1983-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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NLA508003107 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..."” by Judith Blegen, Boston Boys Choir, Gwynne Howell, Benjamin Luxon, Lorna Myers, Florence Quivar, Kenneth Riegel, Faye Robinson, Tanglewood Festival Chorus, James Christie, Boston Symphony Orchestra, Seiji Ozawa. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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Tanglewood Festival Chorus, Boston Pops Orchestra, Keith Lockhart
USBC19801364William Kapell, Boston Symphony Orchestra, Сергей Александрович Кусевицкий
USBC19705846NLA508003107 is the International Standard Recording Code (ISRC) for the recording “Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..."” by Judith Blegen, Boston Boys Choir, Gwynne Howell, Benjamin Luxon, Lorna Myers, Florence Quivar, Kenneth Riegel, Faye Robinson, Tanglewood Festival Chorus, James Christie, Boston Symphony Orchestra, Seiji Ozawa, released 1983-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
