ISRC
NLA508305609
Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria"
Song: Mass no. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria"
Last verified:
NLA508305609 is the International Standard Recording Code (ISRC) for the recording "Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria"" by Solists der Wiener Sängerknaben, Peter Jelosits, Gerhard Eder, Michael G. Gormley, Wiener Sängerknaben, Chorus Viennensis, Wiener Symphoniker, Uwe Christian Harrer, released 1984-03-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T0702483791.
Format
- Country:
- ISO 3166-1 alpha-2 country code (NL).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (1983):
- Last two digits of the reference year (1983). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Credit Chain
Musical Work (ISWC)
T0702483791Mass no. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria"Verified on
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What is ISRC NLA508305609?
NLA508305609 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria"" by Solists der Wiener Sängerknaben, Peter Jelosits, Gerhard Eder, Michael G. Gormley, Wiener Sängerknaben, Chorus Viennensis, Wiener Symphoniker, Uwe Christian Harrer. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
This recording is linked to the musical work T0702483791, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.
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