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ISRC

NLA508319412

Rigoletto: Atto I. “Quanto dolor”

Song: Rigoletto: Atto I, scena 2. Duetto “Figlia!” ... “Mio padre!” … “Deh, non parlare al misero” (Rigoletto, Gilda)

Renato BrusonEdita GruberováOrchestra dell’Accademia Nazionale di Santa CeciliaGiuseppe Sinopoli
Released 2007-09-11

Last verified:

NLA508319412 is the International Standard Recording Code (ISRC) for the recording "Rigoletto: Atto I. “Quanto dolor”" by Renato Bruson, Edita Gruberová, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli, released 2007-09-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
83Year (1983)
19412Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1983):
Last two digits of the reference year (1983). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Rigoletto: Atto I. “Quanto dolor”" by Renato Bruson?
The ISRC for "Rigoletto: Atto I. “Quanto dolor”" by Renato Bruson, Edita Gruberová, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli is NLA508319412.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA508319412?

NLA508319412 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Rigoletto: Atto I. “Quanto dolor”" by Renato Bruson, Edita Gruberová, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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