ISRC
Weihnachts-Oratorium: Vierter Teil: Nr. 40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne"
Song: Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“
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NLA508602539 is the International Standard Recording Code (ISRC) for the recording “Weihnachts-Oratorium: Vierter Teil: Nr. 40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne"” by Helen Donath, Robert Holl, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Peter Schreier, released 1987-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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NLA508602539 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Weihnachts-Oratorium: Vierter Teil: Nr. 40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne"” by Helen Donath, Robert Holl, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Peter Schreier. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt
DEA348502010Margaret Price, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier
NLA508202314MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier
NLA508202302MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier
NLA508202303NLA508602539 is the International Standard Recording Code (ISRC) for the recording “Weihnachts-Oratorium: Vierter Teil: Nr. 40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne"” by Helen Donath, Robert Holl, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Peter Schreier, released 1987-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
