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ISRC

NLA508640303

Années de pèlerinage, Deuxième année: Italie, S. 161 no. 3: Canzonetta del Salvator Rosa

Song: Années de pèlerinage, Deuxième année; Italie, S. 161: Canzonetta del Salvator Rosa, S. 161 no. 3

Alfred Brendel
unmatchedNot yet matched in the MLC database
Released 1998-01-01

Last verified:

NLA508640303 is the International Standard Recording Code (ISRC) for the recording "Années de pèlerinage, Deuxième année: Italie, S. 161 no. 3: Canzonetta del Salvator Rosa" by Alfred Brendel, released 1998-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
86Year (1986)
40303Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1986):
Last two digits of the reference year (1986). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Années de pèlerinage, Deuxième année: Italie, S. 161 no. 3: Canzonetta del Salvator Rosa" by Alfred Brendel?
The ISRC for "Années de pèlerinage, Deuxième année: Italie, S. 161 no. 3: Canzonetta del Salvator Rosa" by Alfred Brendel is NLA508640303.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA508640303?

NLA508640303 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Années de pèlerinage, Deuxième année: Italie, S. 161 no. 3: Canzonetta del Salvator Rosa" by Alfred Brendel. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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