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ISRC

NLA508701711

Johannes-Passion, BWV 245: Erster Teil, Nr. 11 Choral: Wer hat dich so geschlagen

Song: Johannes-Passion, BWV 245: Teil I. No. 11 Choral "Wer hat dich so geschlagen"

Gothart StierRundfunkchor Leipzig
Released 1988-01-01

Last verified:

NLA508701711 is the International Standard Recording Code (ISRC) for the recording "Johannes-Passion, BWV 245: Erster Teil, Nr. 11 Choral: Wer hat dich so geschlagen" by Gothart Stier, Rundfunkchor Leipzig, released 1988-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
87Year (1987)
01711Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1987):
Last two digits of the reference year (1987). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Johannes-Passion, BWV 245: Erster Teil, Nr. 11 Choral: Wer hat dich so geschlagen" by Gothart Stier?
The ISRC for "Johannes-Passion, BWV 245: Erster Teil, Nr. 11 Choral: Wer hat dich so geschlagen" by Gothart Stier, Rundfunkchor Leipzig is NLA508701711.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA508701711?

NLA508701711 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Johannes-Passion, BWV 245: Erster Teil, Nr. 11 Choral: Wer hat dich so geschlagen" by Gothart Stier, Rundfunkchor Leipzig. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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