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ISRC

NLA508802509

Missa brevis in G Major, K. 49: 3. Credo

Edith MathisRosemarie LangUwe HeilmannJan-Hendrik RooteringMDR-RundfunkchorRadio-Sinfonie-Orchester Leipzig & Herbert Kegel

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NLA508802509 is the International Standard Recording Code (ISRC) for the recording "Missa brevis in G Major, K. 49: 3. Credo" by Edith Mathis, Rosemarie Lang, Uwe Heilmann, Jan-Hendrik Rootering, MDR-Rundfunkchor, Radio-Sinfonie-Orchester Leipzig & Herbert Kegel. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
88Year (1988)
02509Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1988):
Last two digits of the reference year (1988). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Missa brevis in G Major, K. 49: 3. Credo" by Edith Mathis?
The ISRC for "Missa brevis in G Major, K. 49: 3. Credo" by Edith Mathis, Rosemarie Lang, Uwe Heilmann, Jan-Hendrik Rootering, MDR-Rundfunkchor, Radio-Sinfonie-Orchester Leipzig & Herbert Kegel is NLA508802509.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA508802509?

NLA508802509 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Missa brevis in G Major, K. 49: 3. Credo" by Edith Mathis, Rosemarie Lang, Uwe Heilmann, Jan-Hendrik Rootering, MDR-Rundfunkchor, Radio-Sinfonie-Orchester Leipzig & Herbert Kegel. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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