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Concerto no. 5 in D major, K. 175: I. Allegro album cover

ISRC

NLA509001101

Concerto no. 5 in D major, K. 175: I. Allegro

Song: Concerto for Piano and Orchestra no. 5 in D major, K. 175: I. Allegro

Mitsuko UchidaEnglish Chamber OrchestraJeffrey Tate
unmatchedNot yet matched in the MLC database
Released 1991-01-01

Last verified:

NLA509001101 is the International Standard Recording Code (ISRC) for the recording "Concerto no. 5 in D major, K. 175: I. Allegro" by Mitsuko Uchida, English Chamber Orchestra, Jeffrey Tate, released 1991-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
90Year (1990)
01101Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1990):
Last two digits of the reference year (1990). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Concerto no. 5 in D major, K. 175: I. Allegro" by Mitsuko Uchida?
The ISRC for "Concerto no. 5 in D major, K. 175: I. Allegro" by Mitsuko Uchida, English Chamber Orchestra, Jeffrey Tate is NLA509001101.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA509001101?

NLA509001101 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concerto no. 5 in D major, K. 175: I. Allegro" by Mitsuko Uchida, English Chamber Orchestra, Jeffrey Tate. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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