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ISRC

NLA509403501

Les Contes d'Hoffmann: Il était une fois à la cour d'Eisenach

Song: Les Contes d’Hoffmann : Acte I (Prologue). Chanson « Il était une fois à la cour d’Eisenach » (Hoffmann, les étudiants, Nathanaël)

Alfredo KrausThe Welsh National Opera OrchestraCarlo Rizzi
Released 1998-01-01

Last verified:

NLA509403501 is the International Standard Recording Code (ISRC) for the recording "Les Contes d'Hoffmann: Il était une fois à la cour d'Eisenach" by Alfredo Kraus, The Welsh National Opera Orchestra, Carlo Rizzi, released 1998-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
94Year (1994)
03501Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1994):
Last two digits of the reference year (1994). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Les Contes d'Hoffmann: Il était une fois à la cour d'Eisenach" by Alfredo Kraus?
The ISRC for "Les Contes d'Hoffmann: Il était une fois à la cour d'Eisenach" by Alfredo Kraus, The Welsh National Opera Orchestra, Carlo Rizzi is NLA509403501.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA509403501?

NLA509403501 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Les Contes d'Hoffmann: Il était une fois à la cour d'Eisenach" by Alfredo Kraus, The Welsh National Opera Orchestra, Carlo Rizzi. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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